Blame It on the Bellboy
1992 · 78 min · Director: Mark Herman
Show plot summary (may contain spoilers)
Mike Lawton (Bryan Brown) (a hitman), Maurice Horton (Richard Griffiths) (expecting some middle-aged dating agency nooky), and Melvyn Orton (Dudley Moore) (checking out properties for his boss) converge on the Hotel Gabrielli in Venice, Italy. Linguistic mix-ups by the staff mean each of the trio get wrong instructions for the next day. So Maurice meets up with puzzled estate agent Caroline Wright (Patsy Kensit) to see what she's offering, Melvyn attempts to make a gang of hoods an offer they can't refuse on their villa, while Mike sets off to rub out a lonely-hearts lady from Huddersfield.
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Emotional fingerprint
Blame It on the Bellboy (1992) — Movie. Top emotional signals: Humor 40%, Surprise 25%, Confusion 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor40%
- Surprise25%
- Confusion15%
- Excitement10%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Surprise, Confusion. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Surprise and Confusion. Its IMDb rating of 5.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 47 % | 17 % | 38 % | 37 % |
| 7.5 % | ≈ 6′ | Humor | 45 % | 34 % | 24 % | 36 % |
| 12.5 % | ≈ 10′ | Humor | 46 % | 45 % | 16 % | 35 % |
| 17.5 % | ≈ 14′ | Humor | 48 % | 45 % | 20 % | 30 % |
| 22.5 % | ≈ 18′ | Humor | 54 % | 51 % | 31 % | 31 % |
| 27.5 % | ≈ 21′ | Humor | 61 % | 59 % | 43 % | 34 % |
| 32.5 % | ≈ 25′ | Humor | 61 % | 60 % | 41 % | 30 % |
| 37.5 % | ≈ 29′ | Humor | 63 % | 63 % | 40 % | 28 % |
| 42.5 % | ≈ 33′ | Humor | 66 % | 66 % | 41 % | 30 % |
| 47.5 % | ≈ 37′ | Humor | 69 % | 69 % | 40 % | 34 % |
| 52.5 % | ≈ 41′ | Humor | 66 % | 65 % | 43 % | 35 % |
| 57.5 % | ≈ 45′ | Humor | 60 % | 55 % | 46 % | 36 % |
| 62.5 % | ≈ 49′ | Humor | 59 % | 48 % | 40 % | 36 % |
| 67.5 % | ≈ 53′ | Sympathy | 59 % | 45 % | 31 % | 36 % |
| 72.5 % | ≈ 57′ | Humor | 59 % | 50 % | 39 % | 40 % |
| 77.5 % | ≈ 60′ | Humor | 65 % | 53 % | 55 % | 40 % |
| 82.5 % | ≈ 64′ | Tension | 71 % | 48 % | 66 % | 38 % |
| 87.5 % | ≈ 68′ | Tension | 71 % | 50 % | 55 % | 34 % |
| 92.5 % | ≈ 72′ | Relief | 62 % | 43 % | 25 % | 21 % |
| 97.5 % | ≈ 76′ | Relief | 50 % | 20 % | 8 % | 10 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Hotel Manager
Shady Character
Man on Plane
Senior Policeman
Italian Victim
Hotel Guest (uncredited)
Details
- Directed by
- Mark Herman
- Written by
- Mark Herman
- Type
- Movies
- Released
- 1992
- Runtime
- 78 min
- Country
- United Kingdom, United States
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





