Our Lady of the Assassins
2000 · 101 min · Director: Barbet Schroeder, Barbet Schroeder
Show plot summary (may contain spoilers)
The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin Alexis, who murders all too easily. When Alexis himself is fatally gunned down, grief-stricken Fernando hunts for his young lover's killer in the Medellin slums, but instead encounters Wilmar, who bears an uncanny resemblance to Alexis.
Emotional fingerprint
Our Lady of the Assassins (2000) — Movie. Top emotional signals: Melancholy 30%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Sadness25%
- Love20%
- Disturbing15%
- Tension10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Sadness, Love. Genres: Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Sadness and Love. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Disturbing
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Disturbing | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Love | 38 % | 18 % | 30 % | 25 % |
| 7.5 % | ≈ 8′ | Sadness | 50 % | 39 % | 35 % | 31 % |
| 12.5 % | ≈ 13′ | Sadness | 65 % | 53 % | 44 % | 37 % |
| 17.5 % | ≈ 18′ | Disturbing | 63 % | 35 % | 50 % | 41 % |
| 22.5 % | ≈ 23′ | Tension | 50 % | 19 % | 43 % | 39 % |
| 27.5 % | ≈ 28′ | Humor | 53 % | 24 % | 45 % | 40 % |
| 32.5 % | ≈ 33′ | Disturbing | 64 % | 30 % | 60 % | 50 % |
| 37.5 % | ≈ 38′ | Disturbing | 66 % | 28 % | 64 % | 53 % |
| 42.5 % | ≈ 43′ | Disturbing | 66 % | 35 % | 59 % | 53 % |
| 47.5 % | ≈ 48′ | Sadness | 64 % | 46 % | 50 % | 54 % |
| 52.5 % | ≈ 53′ | Disturbing | 64 % | 46 % | 51 % | 56 % |
| 57.5 % | ≈ 58′ | Love | 78 % | 60 % | 66 % | 68 % |
| 62.5 % | ≈ 63′ | Sadness | 88 % | 80 % | 71 % | 70 % |
| 67.5 % | ≈ 68′ | Sadness | 71 % | 68 % | 50 % | 49 % |
| 72.5 % | ≈ 73′ | Sadness | 46 % | 41 % | 28 % | 24 % |
| 77.5 % | ≈ 78′ | Sadness | 44 % | 39 % | 29 % | 19 % |
| 82.5 % | ≈ 83′ | Sadness | 61 % | 50 % | 46 % | 39 % |
| 87.5 % | ≈ 88′ | Tension | 79 % | 59 % | 63 % | 66 % |
| 92.5 % | ≈ 93′ | Sadness | 83 % | 63 % | 65 % | 75 % |
| 97.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Our Lady of the Assassins. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Alexis
Alfonso
Child Sniffing Glue
4x4 Thief
Taxi Driver Santa Domingo
Waitress
Taxi Sabaneta 1
Alexis's Mother
Taxi Driver Clinic
Pregnant Woman
Dead Man
Taxi Driver with Machete
Punk
Taxista Sabaneta 2
Hermano de Alexis
Don Aníbal
Viejo afeminado
Muchacho jeep
Details
- Directed by
- Barbet Schroeder, Barbet Schroeder
- Written by
- Fernando Vallejo
- Type
- Movies
- Released
- 2000
- Runtime
- 101 min
- Country
- Spain, France, Colombia
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
