Anything Else
2003 · 108 min · Director: Woody Allen
Show plot summary (may contain spoilers)
Jerry Falk (Jason Biggs) and David Dobel (Woody Allen), who meet at a business meeting, become fast friends. Their commonality is that they are both fledgling New York City based comedy writers, largely writing material for stand-ups, are Jewish (although David is an atheist), and are each of bundle of different neuroses. Their big difference is that Jerry is twenty-one, while David is sixty, with forty more years worth of life experience, knowledge, and neuroses. While Jerry writes full time - he is also working on a novel - David has kept his day job as a public school teacher just in case. In their relationship, David becomes somewhat of Jerry's mentor, providing advice on Jerry's life issues, most which revolve around the fact that Jerry is a product of inertia, having trouble leaving anyone. That's why Jerry's still with the only manager he's ever had, Harvey Wexler (Danny DeVito). Jerry not only being Harvey's only client (which is a testament to his effectiveness in the job), Harvey also has a twenty-five percent take as stipulated in their contract, which he wants to extend for another seven years. That's why Jerry is still in therapy with a psychiatrist who has done him no good, and who advised Jerry to stay in therapy with him as opposed to taking a job in Los Angeles, California. But that not being able to leave largely applies to his love life. Jerry already has one divorce. He is having problems with his current girlfriend Amanda (Christina Ricci), who he believes is the love of his life. He fell in love with her at first sight, when he was already in a cohabitational relationship with Brooke (KaDee Strickland), and Amanda dating Jerry's friend, Bob Stiles (Jimmy Fallon). Even after Jerry began sleeping with Amanda, he could not be up front with Brooke about the situation, leaving her to figure out his lies. What Jerry is unable or unwilling to see is that Amanda not only manipulates him, but that he focuses on the things between them that make them truly compatible, while disregarding those many more things which make them incompatible. What has made their relationship more difficult of late is that her mother, who is trying to find herself, has moved in with them in their small apartment. Despite David's unique view of life, he may be able to see Jerry and Amanda's relationship more clearly as an objective bystander. The question becomes how much of David's advice Jerry will take in its entirety.
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Emotional fingerprint
Anything Else (2003) — Movie. Top emotional signals: Humor 30%, Anxiety 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Anxiety, Love. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Anxiety and Love. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Anxiety
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Anxiety
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Anxiety |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 40 % | 38 % | 15 % | 15 % |
| 7.5 % | ≈ 8′ | Humor | 40 % | 36 % | 23 % | 20 % |
| 12.5 % | ≈ 14′ | Humor | 39 % | 32 % | 24 % | 19 % |
| 17.5 % | ≈ 19′ | Love | 38 % | 28 % | 15 % | 13 % |
| 22.5 % | ≈ 24′ | Love | 41 % | 29 % | 16 % | 14 % |
| 27.5 % | ≈ 30′ | Humor | 45 % | 34 % | 29 % | 21 % |
| 32.5 % | ≈ 35′ | Humor | 43 % | 35 % | 32 % | 24 % |
| 37.5 % | ≈ 41′ | Humor | 44 % | 36 % | 34 % | 26 % |
| 42.5 % | ≈ 46′ | Tension | 50 % | 33 % | 41 % | 36 % |
| 47.5 % | ≈ 51′ | Anxiety | 48 % | 25 % | 39 % | 40 % |
| 52.5 % | ≈ 57′ | Humor | 41 % | 26 % | 33 % | 35 % |
| 57.5 % | ≈ 62′ | Humor | 44 % | 32 % | 36 % | 35 % |
| 62.5 % | ≈ 68′ | Humor | 50 % | 34 % | 43 % | 36 % |
| 67.5 % | ≈ 73′ | Tension | 55 % | 31 % | 49 % | 36 % |
| 72.5 % | ≈ 78′ | Tension | 55 % | 29 % | 45 % | 38 % |
| 77.5 % | ≈ 84′ | Love | 49 % | 29 % | 34 % | 34 % |
| 82.5 % | ≈ 89′ | Humor | 46 % | 32 % | 36 % | 32 % |
| 87.5 % | ≈ 95′ | Tension | 48 % | 32 % | 40 % | 33 % |
| 92.5 % | ≈ 100′ | Sadness | 46 % | 30 % | 35 % | 26 % |
| 97.5 % | ≈ 105′ | Humor | 45 % | 32 % | 33 % | 23 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Pip's Comic
Diana Krall
Movie Theater Patron
Hotel Desk Clerk
Ralph
Car Thug #1
Details
- Directed by
- Woody Allen
- Written by
- Woody Allen
- Type
- Movies
- Released
- 2003
- Runtime
- 108 min
- Country
- United States, France, United Kingdom
- Ratings
- Feels mostly
- Humor
- Data updated
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