Tune in for Love
2019 · 122 min · Director: Jung Ji-woo
Show plot summary (may contain spoilers)
In 1994 during the IMF crisis, two people meet while exchanging stories on a radio program. They fall in love, but can't quite seem to get the timing right.
Your viewing check-in
Emotional fingerprint
Tune in for Love (2019) — Movie. Top emotional signals: Love 35%, Nostalgia 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Nostalgia, Sadness. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Nostalgia and Sadness. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Love
- Sadness
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Sadness | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 25 % | 15 % | 5 % | 17 % |
| 7.5 % | ≈ 9′ | Joy | 32 % | 23 % | 5 % | 20 % |
| 12.5 % | ≈ 15′ | Joy | 43 % | 24 % | 11 % | 21 % |
| 17.5 % | ≈ 21′ | Tension | 48 % | 20 % | 24 % | 20 % |
| 22.5 % | ≈ 27′ | Love | 50 % | 32 % | 29 % | 26 % |
| 27.5 % | ≈ 34′ | Love | 56 % | 48 % | 33 % | 34 % |
| 32.5 % | ≈ 40′ | Sadness | 56 % | 44 % | 43 % | 35 % |
| 37.5 % | ≈ 46′ | Sadness | 55 % | 38 % | 50 % | 33 % |
| 42.5 % | ≈ 52′ | Sadness | 57 % | 34 % | 43 % | 30 % |
| 47.5 % | ≈ 58′ | Joy | 55 % | 33 % | 25 % | 36 % |
| 52.5 % | ≈ 64′ | Love | 56 % | 46 % | 25 % | 40 % |
| 57.5 % | ≈ 70′ | Love | 58 % | 55 % | 31 % | 33 % |
| 62.5 % | ≈ 76′ | Love | 59 % | 56 % | 23 % | 35 % |
| 67.5 % | ≈ 82′ | Love | 68 % | 54 % | 20 % | 38 % |
| 72.5 % | ≈ 88′ | Tension | 73 % | 34 % | 40 % | 19 % |
| 77.5 % | ≈ 95′ | Tension | 75 % | 20 % | 59 % | 6 % |
| 82.5 % | ≈ 101′ | Sadness | 73 % | 28 % | 59 % | 11 % |
| 87.5 % | ≈ 107′ | Love | 63 % | 41 % | 45 % | 26 % |
| 92.5 % | ≈ 113′ | Hope | 57 % | 45 % | 30 % | 43 % |
| 97.5 % | ≈ 119′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Tae-sung
Geum-i
Yoo Yeol
Kim Hyun-sook
Editor-in-chief
Assistant
Detective
Neighbor
Jeong-hyub
Straw
Taekwondo Master
Laundry
Details
- Directed by
- Jung Ji-woo
- Written by
- Jung Ji-woo, Lee Suk-yeon
- Type
- Movies
- Released
- 2019
- Runtime
- 122 min
- Country
- South Korea
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





