The Conquest
2011 · 105 min · Director: Xavier Durringer
Show plot summary (may contain spoilers)
May 6, 2007. France's run-up to the presidential elections. As the French people are getting ready to go to the polls to elect their new president, Nicolas Sarkozy has shut himself away in his home. Even though he knows he has won the battle, he is gloomy and looks despondent in his dressing gown. All day long, he has been trying to get in touch with Cecilia - to no avail. The last five years unfurl, recounting Sarkozy's unstoppable ascent, riddled with backstage underhand trickery, fits of anger and confrontations.
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Emotional fingerprint
The Conquest (2011) — Movie. Top emotional signals: Confusion 30%, Humor 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Confusion30%
- Humor25%
- Anxiety20%
- Anger15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Confusion, Humor, Anxiety. Genres: Comedy, Drama, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Confusion, Humor and Anxiety. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Sadness
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Sadness | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 42 % | 22 % | 17 % | 42 % |
| 7.5 % | ≈ 8′ | Humor | 45 % | 34 % | 16 % | 39 % |
| 12.5 % | ≈ 13′ | Humor | 48 % | 43 % | 11 % | 39 % |
| 17.5 % | ≈ 18′ | Curiosity | 49 % | 35 % | 9 % | 43 % |
| 22.5 % | ≈ 24′ | Curiosity | 53 % | 29 % | 10 % | 46 % |
| 27.5 % | ≈ 29′ | Tension | 55 % | 39 % | 8 % | 43 % |
| 32.5 % | ≈ 34′ | Humor | 53 % | 48 % | 4 % | 33 % |
| 37.5 % | ≈ 39′ | Humor | 48 % | 44 % | 6 % | 29 % |
| 42.5 % | ≈ 45′ | Humor | 50 % | 36 % | 24 % | 32 % |
| 47.5 % | ≈ 50′ | Sadness | 60 % | 28 % | 48 % | 35 % |
| 52.5 % | ≈ 55′ | Sadness | 60 % | 26 % | 48 % | 35 % |
| 57.5 % | ≈ 60′ | Humor | 51 % | 31 % | 34 % | 35 % |
| 62.5 % | ≈ 66′ | Sadness | 53 % | 31 % | 41 % | 34 % |
| 67.5 % | ≈ 71′ | Sadness | 56 % | 30 % | 44 % | 31 % |
| 72.5 % | ≈ 76′ | Tension | 50 % | 31 % | 24 % | 32 % |
| 77.5 % | ≈ 81′ | Humor | 48 % | 36 % | 16 % | 36 % |
| 82.5 % | ≈ 87′ | Humor | 50 % | 39 % | 20 % | 35 % |
| 87.5 % | ≈ 92′ | Humor | 54 % | 35 % | 30 % | 32 % |
| 92.5 % | ≈ 97′ | Sadness | 63 % | 31 % | 50 % | 33 % |
| 97.5 % | ≈ 102′ | Sadness | 67 % | 30 % | 58 % | 32 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Bruno Le Maire
Frédéric Lefèbvre
Rachida Dati
Pierre Giacometti
Richard Attias
Jean-Louis Gergorin
Michaël Darmon
Bruno Jeudy
Details
- Directed by
- Xavier Durringer
- Written by
- Patrick Rotman, Xavier Durringer
- Type
- Movies
- Released
- 2011
- Runtime
- 105 min
- Country
- France
- Ratings
- Feels mostly
- Confusion
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




