feeldb

Gun City

2018 · 127 min · Director: Dani de la Torre ★ IMDb 6.4 · 4,620 ratings

Show plot summary (may contain spoilers)

In the hard and convulsive times of Spain in 1921, Aníbal Uriarte, a veteran soldier of the Morocco War reconverted into a cop, is sent by his superior from Spain's capital Madrid to Barcelona (Catalonia, north-east to Spain) in order to locate an important amount of military weaponry stolen from a train, apparently by revolutionary anarchists. On his arrival in the city Uriarte meets Inspector Rediú, a corrupt officer, together with other cops including the violent Tísico and young Beltrán, and El Barón, owner of the famous cabaret Edén where he exploits his dancers, filming adult movies (involving minors and lesbians) only for the eyes of high society. At the same time Salvador Ortiz is the leader of a peaceful riot in an important company of the city, in the fight for workers' rights, while Salvador's daughter, telephone operator Sara, leads her own revolution to defend women's rights. Learning quickly to move in a sea of conspiracy, corruption and treachery, Uriarte makes a deal with El Barón, bypassing Rediú, to work for him as an informer. A little time later he saves Salvador from death during a police assault on the factory property of García Serrano, a rich businessman who is contacted by El Barón in hope that Serrano uses his influence to get him admitted to El Liceo, the most important club in the city, reserved for the richest and most privileged. Therefore, the situation worsens after León, a young worker determined to take arms and lead a bloody revolution in opposition to Salvador's peaceful ways, and Tísico's suspects about the own Uriarte believing him as a danger for Rediú's illegal business. With time running out and General Martínez Anido wanting to make a military invasion in Barcelona to kill the anarchists, Uriarte's only hope to prevent a massacre and a possible coup d'etat in Spain is locate the weapons stolen and expose Rediú's corruption as well as El Barón, contacting Salvador and Sara looking for help. But will can Uriarte survive the enough to save the city and himself of the imminent danger that threatens to kill some thousand people?

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Emotional fingerprint

Gun City (2018) — Movie. Top emotional signals: Excitement 30%, Tension 25%, Anger 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Anger20%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Excitement, Tension, Anger. Genres: Crime, Adventure, Action. AI estimate.

Is it worth watching?

Consider this title if you are looking for Excitement, Tension and Anger. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.

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Emotional journey

AI · from subtitles
  • Tension
  • Empathy
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Disturbing

Dominant emotion: Anger

Dominant emotion: Empathy

Dominant emotion: Sadness

Tension
Empathy
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 13 %, then peaks around 83 %, then dips around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionEmpathySadness
2.5 %≈ 3′Tension70 %67 %42 %18 %
7.5 %≈ 10′Disturbing60 %55 %32 %14 %
12.5 %≈ 16′Tension53 %46 %30 %16 %
17.5 %≈ 22′Anger65 %54 %46 %29 %
22.5 %≈ 29′Disturbing72 %56 %60 %35 %
27.5 %≈ 35′Empathy73 %48 %70 %50 %
32.5 %≈ 41′Sadness78 %46 %74 %63 %
37.5 %≈ 48′Tension76 %61 %59 %44 %
42.5 %≈ 54′Tension74 %74 %45 %24 %
47.5 %≈ 60′Tension75 %75 %39 %19 %
52.5 %≈ 67′Tension78 %79 %39 %19 %
57.5 %≈ 73′Tension85 %85 %55 %24 %
62.5 %≈ 79′Disturbing85 %84 %69 %36 %
67.5 %≈ 86′Tension77 %68 %69 %50 %
72.5 %≈ 92′Empathy73 %56 %65 %51 %
77.5 %≈ 98′Anger80 %64 %64 %55 %
82.5 %≈ 105′Sadness87 %73 %69 %70 %
87.5 %≈ 111′Tension79 %66 %59 %69 %
92.5 %≈ 117′Sadness65 %48 %38 %57 %
97.5 %≈ 124′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

Luis Tosar

Aníbal

VR
Vicente Romero

Manolo Solo

'Barón'

Paco Tous

Salvador

JL
Jaime Lorente

León

PT
Pep Tosar

Police Commissioner

Ernesto Alterio

'Tísico'

AT
Adriana Torrebejano

Lola

JM
José Manuel Poga

'Mallorquín'

FL
Fredi Leis

Beltrán

WM
William Miller

García Serrano

AP
Albert Pérez

'Manco'

Rd
Ricardo de Barreiro

Shift Chief

Pd
Paula del Río

Elisa

XB
Xosé Barato

Maître

FC
Fernando Cayo

Minister

EP
Elías Pelayo

Martínez Anido

MS
Machi Salgado

Don Alfonso

SR
Sonia Rúa

Madre agresiva

Details

Directed by
Dani de la Torre
Written by
Patxi Amezcua
Type
Movies
Released
2018
Runtime
127 min
Country
Spain, France
Ratings
★ IMDb 6.4 · 4,620 ratings
Feels mostly
Excitement
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.