Love Under House Arrest
2019 · 90 min · Director: Emiliano Corapi
Show plot summary (may contain spoilers)
Renato, an insurer skilled in his work, has always kept his distance from relationships that involve real involvement. When he finds himself giving Anna a lift, who has no doubts about asking him to have sex right away, he doesn't know whether to continue the relationship or consider it a one-time affair. However, when he discovers that she is under house arrest and will have to remain there for a long time, the situation takes on a very interesting dimension in his eyes.
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Emotional fingerprint
Love Under House Arrest (2019) — Movie. Top emotional signals: Love 30%, Humor 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Humor, Anxiety. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Humor and Anxiety. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 38 % | 37 % | 10 % | 5 % |
| 7.5 % | ≈ 7′ | Humor | 39 % | 33 % | 15 % | 15 % |
| 12.5 % | ≈ 11′ | Love | 44 % | 34 % | 26 % | 21 % |
| 17.5 % | ≈ 16′ | Humor | 46 % | 35 % | 28 % | 18 % |
| 22.5 % | ≈ 20′ | Sadness | 43 % | 30 % | 18 % | 19 % |
| 27.5 % | ≈ 25′ | Humor | 43 % | 29 % | 21 % | 20 % |
| 32.5 % | ≈ 29′ | Tension | 46 % | 30 % | 35 % | 14 % |
| 37.5 % | ≈ 34′ | Humor | 48 % | 34 % | 39 % | 13 % |
| 42.5 % | ≈ 38′ | Humor | 46 % | 38 % | 36 % | 20 % |
| 47.5 % | ≈ 43′ | Humor | 45 % | 35 % | 36 % | 24 % |
| 52.5 % | ≈ 47′ | Tension | 49 % | 32 % | 41 % | 18 % |
| 57.5 % | ≈ 52′ | Sadness | 56 % | 34 % | 50 % | 14 % |
| 62.5 % | ≈ 56′ | Tension | 65 % | 39 % | 63 % | 13 % |
| 67.5 % | ≈ 61′ | Tension | 66 % | 45 % | 59 % | 9 % |
| 72.5 % | ≈ 65′ | Relief | 56 % | 45 % | 38 % | 16 % |
| 77.5 % | ≈ 70′ | Humor | 49 % | 40 % | 31 % | 31 % |
| 82.5 % | ≈ 74′ | Love | 52 % | 33 % | 36 % | 45 % |
| 87.5 % | ≈ 79′ | Love | 61 % | 31 % | 38 % | 51 % |
| 92.5 % | ≈ 83′ | Humor | 60 % | 40 % | 30 % | 45 % |
| 97.5 % | ≈ 88′ | Love | 53 % | 43 % | 18 % | 42 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Sergetto
Marito di Dori e Proprietario del Compro oro
Poliziotto
Simona
Dori
Professore
Avvocato
Fioraio
Collega assicuratore
Agente perquisizione
Cliente 1
Cliente 2
Cliente 3
Cliente 4
Cliente 5
Details
- Directed by
- Emiliano Corapi
- Written by
- Emiliano Corapi
- Type
- Movies
- Released
- 2019
- Runtime
- 90 min
- Country
- Italy
- Ratings
- Feels mostly
- Love
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





