The Evil of Frankenstein
1964 · 87 min · Director: Freddie Francis
Show plot summary (may contain spoilers)
Once hounded from his castle by outraged villagers for creating a monstrous living being, Baron Frankenstein returns to Karlstaad. High in the mountains they stumble on the body of the creature, perfectly preserved in the ice. He is brought back to life with the help of the hypnotist Zoltan who now controls the creature. Can Frankenstein break Zoltan's hypnotic spell that incites the monster to commit these horrific murders or will Zoltan induce the creature to destroy its creator?
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Emotional fingerprint
The Evil of Frankenstein (1964) — Movie. Top emotional signals: Fear 35%, Tension 25%, Excitement 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear35%
- Tension25%
- Excitement15%
- Disturbing15%
- Awe10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Tension, Excitement. Genres: Horror, Sci-Fi. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Tension and Excitement. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Disturbing
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Disturbing | 62 % | 52 % | 40 % | 60 % |
| 7.5 % | ≈ 7′ | Curiosity | 56 % | 49 % | 41 % | 46 % |
| 12.5 % | ≈ 11′ | Tension | 50 % | 40 % | 40 % | 28 % |
| 17.5 % | ≈ 15′ | Curiosity | 50 % | 31 % | 48 % | 23 % |
| 22.5 % | ≈ 20′ | Curiosity | 55 % | 35 % | 57 % | 27 % |
| 27.5 % | ≈ 24′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 32.5 % | ≈ 28′ | Sympathy | 50 % | 37 % | 32 % | 10 % |
| 37.5 % | ≈ 33′ | Curiosity | 51 % | 43 % | 36 % | 10 % |
| 42.5 % | ≈ 37′ | Tension | 51 % | 48 % | 34 % | 9 % |
| 47.5 % | ≈ 41′ | Sympathy | 53 % | 46 % | 39 % | 11 % |
| 52.5 % | ≈ 46′ | Curiosity | 57 % | 44 % | 55 % | 21 % |
| 57.5 % | ≈ 50′ | Curiosity | 60 % | 45 % | 60 % | 34 % |
| 62.5 % | ≈ 54′ | Tension | 61 % | 54 % | 54 % | 43 % |
| 67.5 % | ≈ 59′ | Tension | 63 % | 61 % | 45 % | 43 % |
| 72.5 % | ≈ 63′ | Tension | 69 % | 66 % | 31 % | 51 % |
| 77.5 % | ≈ 67′ | Disturbing | 79 % | 74 % | 20 % | 69 % |
| 82.5 % | ≈ 72′ | Tension | 79 % | 76 % | 23 % | 65 % |
| 87.5 % | ≈ 76′ | Tension | 70 % | 70 % | 25 % | 48 % |
| 92.5 % | ≈ 80′ | Tension | 68 % | 66 % | 19 % | 40 % |
| 97.5 % | ≈ 85′ | Tension | 73 % | 70 % | 15 % | 42 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Burgermeister's Wife
Rena as a Child (uncredited)
Body Snatcher (uncredited)
Villager (uncredited)
Manservant (uncredited)
Villager (uncredited)
David Carrell (uncredited)
Curé (uncredited)
Roustabout (uncredited)
Details
- Directed by
- Freddie Francis
- Written by
- Anthony Hinds
- Type
- Movies
- Released
- 1964
- Runtime
- 87 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





