feeldb

Embrace of the Vampire

1995 · 92 min · Director: Anne Goursaud ★ IMDb 4.4 · 7,629 ratings

Show plot summary (may contain spoilers)

An 18-year-old college freshman is seduced by a handsome vampire lover who introduces her to a dark world of carnal desires.

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Emotional fingerprint

Embrace of the Vampire (1995) — Movie. Top emotional signals: Fear 30%, Excitement 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Fear30%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Fear, Excitement, Tension. Genres: Drama, Romance, Fantasy. AI estimate.

Is it worth watching?

Consider this title if you are looking for Fear, Excitement and Tension. Its IMDb rating of 4.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 55/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Fear
  • Relief

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Sadness

Dominant emotion: Tension

Dominant emotion: Love

Dominant emotion: Relief

Tension
Fear
Relief
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 33 %, then dips around 53 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionFearRelief
2.5 %≈ 2′Sadness63 %38 %25 %0 %
7.5 %≈ 7′Tension71 %60 %48 %0 %
12.5 %≈ 12′Tension66 %59 %45 %4 %
17.5 %≈ 16′Love53 %41 %26 %8 %
22.5 %≈ 21′Tension47 %39 %23 %5 %
27.5 %≈ 25′Tension41 %34 %15 %4 %
32.5 %≈ 30′Tension41 %34 %14 %4 %
37.5 %≈ 35′Tension57 %53 %35 %9 %
42.5 %≈ 39′Tension69 %65 %48 %16 %
47.5 %≈ 44′Tension58 %49 %28 %14 %
52.5 %≈ 48′Relief44 %28 %6 %11 %
57.5 %≈ 53′Love47 %34 %10 %9 %
62.5 %≈ 58′Tension55 %49 %19 %3 %
67.5 %≈ 62′Sadness56 %50 %19 %0 %
72.5 %≈ 67′Tension54 %49 %25 %0 %
77.5 %≈ 71′Tension54 %51 %34 %3 %
82.5 %≈ 76′Tension61 %59 %40 %5 %
87.5 %≈ 81′Tension74 %71 %53 %11 %
92.5 %≈ 85′Tension76 %64 %48 %32 %
97.5 %≈ 90′Relief69 %40 %27 %52 %
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

MK
Martin Kemp

HP
Harold Pruett

RF
Rebecca Ferratti

RF
Rebecca Ferratti

Princess

GG
Glori Gold

SR
Seana Ryan

SM
Stacy Moran

Nymph III

RJ
Robbin Julien

Rob

CU
Christopher Utesch

Guy in Hallway

DP
David Portlock

Peter

GV
Gregg Vance

Jonathan

JR
John Riedlinger

Milo

LV
Ladd Vance

Mark

LP
Lynn Philip Seibel

Professor

Details

Directed by
Anne Goursaud
Written by
Rick Bitzelberger, Halle Eaton, Nicole Coady
Type
Movies
Released
1995
Runtime
92 min
Country
United States of America
Ratings
★ IMDb 4.4 · 7,629 ratings
Feels mostly
Fear
Data updated

Where to watch

Also on

Availability varies by country

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.