The Sword of Doom
1966 · 122 min · Director: Kihachi Okamoto
Show plot summary (may contain spoilers)
Ryunosuke, a gifted swordsman plying his trade during the turbulent final days of Shogunate rule, has no moral code and kills without remorse. It’s a way of life that leads to madness.
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Emotional fingerprint
The Sword of Doom (1966) — Movie. Top emotional signals: Tension 35%, Fear 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension35%
- Fear25%
- Disturbing20%
- Excitement15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Fear, Disturbing. Genres: Drama, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Fear and Disturbing. Its IMDb rating of 7.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 75/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sympathy
Dominant emotion: Disturbing
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 33 % | 18 % | 17 % | 22 % |
| 7.5 % | ≈ 9′ | Sympathy | 52 % | 39 % | 41 % | 43 % |
| 12.5 % | ≈ 15′ | Disturbing | 66 % | 57 % | 54 % | 53 % |
| 17.5 % | ≈ 21′ | Tension | 70 % | 68 % | 45 % | 44 % |
| 22.5 % | ≈ 27′ | Tension | 75 % | 71 % | 48 % | 43 % |
| 27.5 % | ≈ 34′ | Sympathy | 70 % | 60 % | 45 % | 41 % |
| 32.5 % | ≈ 40′ | Curiosity | 55 % | 43 % | 25 % | 30 % |
| 37.5 % | ≈ 46′ | Sympathy | 49 % | 38 % | 23 % | 33 % |
| 42.5 % | ≈ 52′ | Tension | 49 % | 40 % | 27 % | 34 % |
| 47.5 % | ≈ 58′ | Curiosity | 48 % | 40 % | 25 % | 28 % |
| 52.5 % | ≈ 64′ | Tension | 54 % | 48 % | 35 % | 35 % |
| 57.5 % | ≈ 70′ | Tension | 66 % | 63 % | 50 % | 41 % |
| 62.5 % | ≈ 76′ | Tension | 73 % | 71 % | 51 % | 39 % |
| 67.5 % | ≈ 82′ | Tension | 74 % | 73 % | 55 % | 44 % |
| 72.5 % | ≈ 88′ | Disturbing | 71 % | 63 % | 58 % | 51 % |
| 77.5 % | ≈ 95′ | Sympathy | 63 % | 49 % | 40 % | 44 % |
| 82.5 % | ≈ 101′ | Tension | 65 % | 57 % | 40 % | 34 % |
| 87.5 % | ≈ 107′ | Tension | 79 % | 75 % | 65 % | 38 % |
| 92.5 % | ≈ 113′ | Disturbing | 87 % | 82 % | 80 % | 42 % |
| 97.5 % | ≈ 119′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Dansho Tsukue
Toshizo Ogata
Yohachi
Heisuke Todo
Okinu
Soji Okita
Details
- Directed by
- Kihachi Okamoto
- Written by
- Shinobu Hashimoto, Kaizan Nakazato
- Type
- Movies
- Released
- 1966
- Runtime
- 122 min
- Country
- Japan
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
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