Courier
1986 · 88 min · Director: Karen Shakhnazarov
Show plot summary (may contain spoilers)
Ivan Mirosnikov, a cheeky young man in the Gorbachev era, is trying to figure out what to do with his life (he's not in college, and the 2-year mandatory military service is looming large ahead of him). Meanwhile, he lives with his divorced mother, and works as a courier at a Russian newspaper. Through his job, he meets patronizing Professor Kuznetzov and his rebellious daughter Katya. To annoy the professor, Ivan claims to have an affair with Katya. To his surprise, Katya backs his story up.
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Emotional fingerprint
Courier (1986) — Movie. Top emotional signals: Humor 30%, Love 25%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Curiosity. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Curiosity. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Sadness | 47 % | 23 % | 35 % | 36 % |
| 7.5 % | ≈ 7′ | Humor | 49 % | 30 % | 32 % | 28 % |
| 12.5 % | ≈ 11′ | Tension | 52 % | 33 % | 30 % | 23 % |
| 17.5 % | ≈ 15′ | Humor | 50 % | 40 % | 20 % | 13 % |
| 22.5 % | ≈ 20′ | Humor | 51 % | 42 % | 22 % | 14 % |
| 27.5 % | ≈ 24′ | Empathy | 52 % | 35 % | 30 % | 21 % |
| 32.5 % | ≈ 29′ | Humor | 55 % | 45 % | 21 % | 11 % |
| 37.5 % | ≈ 33′ | Humor | 58 % | 55 % | 14 % | 3 % |
| 42.5 % | ≈ 37′ | Humor | 52 % | 50 % | 13 % | 1 % |
| 47.5 % | ≈ 42′ | Humor | 51 % | 44 % | 17 % | 6 % |
| 52.5 % | ≈ 46′ | Tension | 53 % | 42 % | 26 % | 13 % |
| 57.5 % | ≈ 51′ | Humor | 56 % | 50 % | 24 % | 10 % |
| 62.5 % | ≈ 55′ | Humor | 62 % | 61 % | 19 % | 5 % |
| 67.5 % | ≈ 59′ | Humor | 62 % | 55 % | 25 % | 13 % |
| 72.5 % | ≈ 64′ | Tension | 57 % | 43 % | 36 % | 27 % |
| 77.5 % | ≈ 68′ | Empathy | 54 % | 41 % | 35 % | 26 % |
| 82.5 % | ≈ 73′ | Humor | 59 % | 41 % | 37 % | 28 % |
| 87.5 % | ≈ 77′ | Sadness | 68 % | 24 % | 56 % | 49 % |
| 92.5 % | ≈ 81′ | Empathy | 70 % | 11 % | 68 % | 55 % |
| 97.5 % | ≈ 86′ | Empathy | 69 % | 10 % | 69 % | 46 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Ivan's mother
Ivan's chief
Zinaida Pavlovna
Nina
Ilya
staff department
Kolya Bazin
Katya's mother
Agnessa Ivanova
Fyodor Ivanovich Miroshnikov
Guest
guest
Natasha
(uncredited)
guest
Details
- Directed by
- Karen Shakhnazarov
- Written by
- Karen Shakhnazarov, Aleksandr Borodyanskiy
- Type
- Movies
- Released
- 1986
- Runtime
- 88 min
- Country
- Soviet Union
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





