feeldb

Ikiru

1952 · 143 min · Director: Akira Kurosawa ★ IMDb 8.3 · 104,445 ratings

Show plot summary (may contain spoilers)

Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.

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Emotional fingerprint

Ikiru (1952) — Movie. Top emotional signals: Sadness 30%, Empathy 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Hope10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Sadness, Empathy, Melancholy. Genres: Drama. AI estimate.

Is it worth watching?

Consider this title if you are looking for Sadness, Empathy and Melancholy. Its IMDb rating of 8.3/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 74/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Sadness
  • Melancholy
  • Empathy

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Melancholy

Dominant emotion: Sadness

Dominant emotion: Empathy

Dominant emotion: Inspiration

Sadness
Melancholy
Empathy
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 13 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensitySadnessMelancholyEmpathy
2.5 %≈ 4′Melancholy32 %17 %23 %22 %
7.5 %≈ 11′Melancholy44 %30 %28 %32 %
12.5 %≈ 18′Sadness65 %55 %44 %53 %
17.5 %≈ 25′Sadness69 %61 %53 %57 %
22.5 %≈ 32′Sadness64 %56 %50 %55 %
27.5 %≈ 39′Sadness61 %53 %49 %54 %
32.5 %≈ 46′Melancholy53 %40 %46 %41 %
37.5 %≈ 54′Melancholy52 %39 %50 %39 %
42.5 %≈ 61′Melancholy53 %38 %45 %44 %
47.5 %≈ 68′Empathy50 %33 %34 %45 %
52.5 %≈ 75′Sadness60 %48 %39 %55 %
57.5 %≈ 82′Sadness70 %60 %44 %63 %
62.5 %≈ 89′Inspiration68 %53 %39 %56 %
67.5 %≈ 97′Sadness55 %40 %35 %44 %
72.5 %≈ 104′Melancholy49 %35 %35 %40 %
77.5 %≈ 111′Inspiration53 %32 %33 %45 %
82.5 %≈ 118′Inspiration59 %33 %36 %50 %
87.5 %≈ 125′Inspiration65 %39 %43 %53 %
92.5 %≈ 132′Sadness71 %49 %49 %56 %
97.5 %≈ 139′Melancholy78 %60 %63 %65 %
Rags to riches

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

BH
Bokuzen Hidari

BH
Bokuzen Hidari

Ohara

MO
Miki Odagiri

SH
Shinichi Himori

MY
Minosuke Yamada

MK
Makoto Kobori

NN
Nobuo Nakamura

Deputy Mayor

AW
Atsushi Watanabe

Patient

IK
Isao Kimura

Intern

MS
Masao Shimizu

Doctor

YI
Yūnosuke Itō

Novelist

YM
Yoshie Minami

The Maid

KU
Kumeko Urabe

Tatsu Watanabe

EM
Eiko Miyoshi

Housewife

NH
Noriko Honma

Housewife

YT
Yatsuko Tan'ami

Bar Hostess

Details

Directed by
Akira Kurosawa
Type
Movies
Released
1952
Runtime
143 min
Country
Japan
Genres
Drama
Ratings
★ IMDb 8.3 · 104,445 ratings
Feels mostly
Sadness
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.